Excerpt from Trance-Formation of America by Cathy O'Neill and Mark Phillips

The majority of my programming was Oz-theme based. This means the combination of codes, keys and triggers to access me were related to L. Frank Baum's story The Wizard of Oz. Whether or not it was Baum's intention, it is evident that his psychologically intense story was used for manipulating minds. Much of The Wizard of Oz lends itself to themes commonly used by perpetrators. For example, nearly all Multiple Personality Disorders (MPDs) have suffered the loss of pets during ritualized torture. And all of Dorothy's nightmarish experiences "over the rainbow in Oz" stemmed from her desire to risk her own life to protect her threatened pet. Abusers use this lesson to condition the victim to drop all resistance and cooperate or "I'll get you, my pretty, and your little dog (or child) too." The "over the rainbow" scramble of dreams vs. reality provides abusers with a theme by which to manipulate an MPD's subconscious perception of switching personalities. Oftentimes this theme is used to suggest a trans dimensional experience like that of Oz so that a victim will perceive the experience as "just a bad dream" like Dorothy was told upon her awakening in her own bed back in Kansas.

CIA cryptic language is manipulation of the English language such that words have a double meaning (a.k.a. 'double binds' in mental health terminology.) It works much the way as communication through "inside jokes", among people familiar with each other. Perhaps this is a reason that the government uses professional comedians as slave handlers. Since mind controlled slaves' minds function consciously through their subconscious, which has no way of discerning fantasy from reality or intended meaning from literal meaning, cryptic dual level language is especially effective. Many CIA covert operations I was involved in occurred in public. Anyone who overheard the conversation would have discerned something very different from what actually "trance-spired." For example, one of my Washington, D.C. Secret Service escorts linked arms with me like Dorothy did with her companions when walking the Yellow Brick Road. This would have appeared to be normal behavior, or even romantic, to outsiders. But to me it was a signal to "stay the course" (Bush quote) and follow directions. Arm in arm we walked through the crowded Air and Space Museum of the Smithsonian to the nearby NASA headquarters. There he read the "Service Entrance" sign on the door accentuating syllables ever so slightly so that I heard him cryptically command, "Serve-us, En-Trance."

I endured extensive mind control testing, training, and programming to prepare me for the high-level government operations I would soon be used for. Between 1980 and 1982, Alex Houston (a performer and my handler) was often booked into Oklahoma fairs, Masonic Lodges, F.O.P. Conventions, and so on, in order that I be in the vicinity of Tinker Air Force Base for programming. At Tinker, the Disney theme of Peter Pan's Never Never Land was cryptically used to further convince my child personalities that reality was fantasy, and that I would "Never grow up" due to the timelessness of my existence. I was cryptically labeled a "Tinker Belle," which signaled those-in-the-know that I had endured government military programming consistent with Tinker AFB mind control research and development. An electrified metal cage, officially referred to as a woodpecker grid but called Tinkerbell's cage at Tinker, kept me "on my toes" and "dancing" from my inescapable high voltage surroundings. My Tinker-Belle conditioning further enhanced my photographic memory through direct control for receiving and delivering government messages that amounted to a computerized compartmentalization of my brain, so to speak. I was also trained in covert criminal operations, such as international drug mule transactions for funding the Pentagon's and CIA's Black Ops Budgets.

Houston's CIA orchestrated travels in the country music industry led me to a TOP SECRET military/NASA installation at Offutt Air Force Base in Nebraska. The "you can run, but you can't hide" conditioning was deeply ingrained in my mind there through a technique that was later used on my daughter Kelly, as well as on other mind control slaves. I was taken underground to a so-called 'secret' circular room where the walls were covered with numerous screens showing satellite pictures from around the world. These satellites are referred to as the "Eye in the Sky." An Air Force official explained to me that my every move "could be monitored via satellite." On a separate four-screen viewer, he demonstrated what in retrospect was a contrived pre-recorded slide show, with the scenes changing as rapidly as he spoke and typed it into the computer.

"Where will you run?" he asked me. "To the Arctic? The Antarctic? Brazil? The mountains? The desert? The prairies? The hills of Afghanistan? The city of Kabul? Would you try to run to Cuba and live among our enemies? We can find you there. There is truly no place to run and no place to hide. The U.S. Senate? The White House? Or to your own backyard? The moon? We got you covered. You can run, but you can't hide." This had been sufficient to convince me in my suggestible state that my every move could be monitored. Kelly still believes the "Eye in the Sky" is watching her. She continues to maintain silence in the institutions due to being denied rehabilitation, but frequently speaks to the sky as though her politically affluent abusers are watching and listening.

Copyright © 2002 by Mark Phillips and Cathy O'Brien, all rights reserved

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